ID |
CVE-2018-0580
|
Summary |
Untrusted search path vulnerability in CELSYS, Inc CLIP STUDIO series (CLIP STUDIO PAINT (for Windows) EX/PRO/DEBUT Ver.1.7.3 and earlier, CLIP STUDIO ACTION (for Windows) Ver.1.5.5 and earlier, with its timestamp prior to April 25, 2018, 12:11:31, and CLIP STUDIO MODELER (for Windows) Ver.1.6.3 and earlier, with its timestamp prior to April 25, 2018, 17:02:49) allows remote attackers to gain privileges via a Trojan horse DLL in an unspecified directory. |
References |
|
Vulnerable Configurations |
-
cpe:2.3:a:celsys:clip_studio_action:*:*:*:*:*:windows:*:*
cpe:2.3:a:celsys:clip_studio_action:*:*:*:*:*:windows:*:*
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cpe:2.3:a:celsys:clip_studio_modeler:*:*:*:*:*:windows:*:*
cpe:2.3:a:celsys:clip_studio_modeler:*:*:*:*:*:windows:*:*
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cpe:2.3:a:celsys:clip_studio_paint:*:*:*:*:*:windows:*:*
cpe:2.3:a:celsys:clip_studio_paint:*:*:*:*:*:windows:*:*
|
CVSS |
Base: | 6.8 (as of 20-06-2018 - 14:50) |
Impact: | |
Exploitability: | |
|
CWE |
CWE-426 |
CAPEC |
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Leveraging/Manipulating Configuration File Search Paths
This pattern of attack sees an adversary load a malicious resource into a program's standard path so that when a known command is executed then the system instead executes the malicious component. The adversary can either modify the search path a program uses, like a PATH variable or classpath, or they can manipulate resources on the path to point to their malicious components. J2EE applications and other component based applications that are built from multiple binaries can have very long list of dependencies to execute. If one of these libraries and/or references is controllable by the attacker then application controls can be circumvented by the attacker.
|
Access |
Vector | Complexity | Authentication |
NETWORK |
MEDIUM |
NONE |
|
Impact |
Confidentiality | Integrity | Availability |
PARTIAL |
PARTIAL |
PARTIAL |
|
cvss-vector
via4
|
AV:N/AC:M/Au:N/C:P/I:P/A:P
|
refmap
via4
|
|
Last major update |
20-06-2018 - 14:50 |
Published |
14-05-2018 - 13:29 |
Last modified |
20-06-2018 - 14:50 |